Sunday, November 2, 2008

Review: Center Stage 2: Turn It Up (I forced myself to watch it)

The first scene opens with Kate (Rachele Smith) encouraging her little sister, Bella, to teach herself pointe work by watching a video of Gillian Murphy perform a variation, because this is totally a safe way to learn ballet and will guarantee that you progress with amazing technique and no injury. *snorts*

Kate then travels to NYC from her home in Detroit to audition for American Ballet Academy. She shows up late wearing sweats and a tank top and has hair sloppily pulled back in to a ponytail. She appears to be completely unaware of the proper way to sew or tie her pointe shoes.

Cooper Nielson (Ethan Stiefel) and Johnathon Reeves give class and judge the dancers. Six boys and six girls will be accepted to the school that season. Cooper's company lost all of its funding so he had to come back to ABA because he can't get a job. Blah blah blah.

Johnathon wants to accept Suzanne, a mediocre dancer with the fakest blonde hair I have ever seen whose father funds the school, while Cooper is vying for Kate. He lists off different choreographers that were different and thought of as weird before they made it big (like Kate, I guess?) including Twyla Tharp and Bob Fosse NEITHER OF WHOM WERE KNOWN FOR CHOREOGRAPHING BALLET.

The cast list is posted and Kate is not accepted, yet she lies to everyone she knows and meets so that they can feel like there is some hope in the world for bad-mediocre self taught ballet/hip hop fusion dancers to get in to major ballet training facilities.

Then she meets Tommy (Kenny Wormland), a student at ABA, who used to be a hockey player but gave it up for ballet, his true passion. He reminds me of SYTYCD4's Gev. Tommy tries to fake a New York accent, but most of the time, it sounds East German and/or Ukrainian.

Kate's car has been impounded and will cost $300 for her to get back.

Kate finally admits to Tommy that she was not really accepted in to American Ballet Academy. They then dance hip hop badly at Tommy's friend's bar. Tommy's friend then offers Kate a job. She plans to start working there the next night.

The next day in class, Cooper takes a liking to Suzanne and Tommy, who he has partnered together for pas de deux class. He decides to help Tommy out since he has had little to no ballet training but is somehow in a ballet school. (How many times has this plot been used? At least 15, right?)

Tommy asks Kate to coach him in PDD because he has had no previous training, yet dances better than anyone else in the movie, not counting Ethan Stiefel. They practice during the day in their friend's club since Kate has a key. Kate keeps calling it "pas de duh" and they call danseur nobles "ballerhinos" (as in rhinosaurus). Kate flaps her arms about repeatedly.

That night, Kate starts working at the bar. She is a bartender and dances excitedly to get people to dace and be excited. She isn't' even that good at hip hop. The next morning, she takes the money she made working and goes apartment. She decides to rent the first apartment she finds, which is HUGE and she can somehow afford on one night's tips. She presumably has her car back now. I would like to know where she has been sleeping the last two nights before she had money for an apartment/hotel or to get her car...?

Suzanne has worn the same leotard every single time they have shown her dancing. It seems like that would get very smelly very fast when you dance for long hours every day. She invites Tommy to go out that night, but he can't because he's doing something with Kate. Suzanne and her friends show up at the bar where Kate and Tommy work. The dialogue in this show is horrible, as is the plot. I also think they created intentionally bad hip hop/dance music for them to dance to so they didn't have to pay music licensing fees. I also think that people are having the exact same conversations with each other characters that people did in the first movie.

Kate and Tommy appear to suddenly be Latin ballroom dance and perform some sort of salsa. They go back to Kate's apartment. The next morning Tommy wakes up in Kate's bed and realizes that he missed the previous night's dorm curfew and that he is going to be late for his first class.

He arrives late to class. Instead of being told to sit out or warm up, he simply jumps right in and starts dancing full out. He drops Suzanne, but they are both uninjured. Meanwhile, Kate practices pointe work on a rug on her concrete floor in her apartment.

I just love how this movie encourages and exemplifies safe and realistic training methods used by ballet dancers.

Honestly, I don't even want to finish writing about this. In short, Kate thinks Tommy and Suzanne are dating, Tommy thinks Cooper and Kate are dating, love square, blah blah blah. Bella shows up and all her dreams of becoming a self taught ballerina are crushed when she realizes that Kate did not actually get in to ABA. Bella encourages Kate to audition for a ballet called The Glass slipper. Kate is scolded for not having a resume, but tells her sob story about her dead ballerina mother and how she taught herself pointe work and all the judges fall in love with her. She and Tommy get the leading roles in the ballet and Suzanne is cast as an ugly stepsister. Johnathon gives Kate a sappy speech.They all live happily ever after.

This is probably one of the worst dance movies I have ever seen. Not only is 97% of the dancing horrible, most of the actors are actually professional dancers that are not actors, and the dialogue and storyline were dreadfully bad. And I predicted the ending almost entirely accurately after about 10 minute of the show. Overall, it is not at all worth watching. It isn't nearly as good as the first Center Stage, which is at least mildly realistic and showcases great dancers, and is pretty much the same as every other ballet vs. hip hop/untrained dancer makes it in to ballet school movie. Don't let Center Stage 2: Turn It Up steal away 2 hours of your life that you will never get back; it isn't even worth watching.

Stay on your toes,

Selly

33 Comments:

said...

hi. i found your blog today. i am not a dancer. i too, wasted 2 hours watching center stage 2. worst movie on earth.

said...

Two days ago, I have just watched CS1 (I am just started to collect all dance movies). Now I was waiting for the second, not because I like the story, just for WATCHING how they move :)
Thanks for the comments, I guess I will think exactly as you do, after watching the second CS.
(Well, Ethan is in :))..

said...

I only watched it because Ethan was there.

The actress that plays Kate looks like Mariska Haretgay (spelling?) from Law and Order SVU.. it's almost creepy how much they look alike.

The boy's accent is Australian... that's why it sounds funky.

It could have been done better granted but eh, it's a movie.

Anonymous said...

i'm definitely pretty sure that this was the WORST movie i have EVER seen in my life. i almost threw up when kate was dancing for that audition with tommy at the end.

said...

Kenny Wormland's Australian? I didn't know that. Kate reminded me a little bit of this girl I used to dance with; the way she dances bothers me in the same way she did. Usually, I expect dance movies to either be bad acting, bad writing, OR bad dancing, but not all three.

Selly

said...

Said this over at facebook (sorry for the repeat, Selly) but just wanted to add my frustration that Hollywood rarely seems to be able to get dance movies right. Why are they so often synonymous with bad acting, writing, dancing, or all three? It's so annoying! I think even real dancers (without formal acting experience) would look less foolish with quality direction, scripts, dialog, and plot lines.

Anyway, I again want to recommend White Nights which I had a repeat viewing of the other day. An example of a dance movie with a premise containing some substance and dancers (Baryshnikov and Hines) that have been given the opportunity to look their best and come out with decent acting performances.

said...

Well I don't know his nationality for sure but he has spent some considerable time in Australia. He had an Aussie accent as well as Massachusetts accent too.

Anonymous said...

Kenny Wormald was born and raised in Massachusetts - no Australian affiliation. You heard a true Boston accent.

Anonymous said...

i thought the movie was great the chemestry was great they did an alsome job

Anonymous said...

actually Kenny Wormand - the actor who plays Tommy has a Boston accent and it is no where near fake because i sound just like that, hes from stroughton, MA a couple citys away from where i live, he is actually a hiphop dancer - hense his not perfect ballet but honestly i loved the movie and have it dvr'd for further viewings. amazing movie (x

said...

That makes a little more sense now with the accent. It still sounds, to me, like he is trying to fake a NYC accent at times, and then switching back over to his normal way of speaking.

And just FYI- you can enter your name and website URL (if you have one, if not, you can just enter a name) instead of posting anonymously, you don't have to choose between only Google/Blogger or anonymity to comment

Selly

said...

can i just say that her feet are freaking TERRIBLE and i could not stop staring at them ... other than that i have to admit i do have a soft spot for the cheesy dance movies

said...

It wouldn't have so noticeable if she didnt have the "I'm a beginner that taught myself pointe on YouTube and have my ribbons way back by my heels and tied too tight with random elastic all the way down by my metatarsal" look on her pointe shoes.

Selly

said...

Just wanted to stop by and say thanks so much for being the first person to comment on my new blog! I hope you will be able to get an order in to Pointe to Remember before Christmas. Hope you have a great day!

said...

Well I WAS looking forward to seeing this movie... now it sounds like I shouldn't even bother!

The_Ballerina

Anonymous said...

I just wanna say that I'm not a dancer, nor have I ever been. But I did know Rachele Smith (who plays Kate in the movie) as a teenager when she was taking dance, gymnastics and cheer in Phoenix, AZ. Let me tell you something, you can't blame the actors for a bad script, bad plot and bad choreography. She wasn't the best in the world, no one in the movie was, but this was one of her first big gigs. But I can tell you this, she is an amazing person, who worked her butt off to make it to where she is now and she is probably one of the best gymnysts I've ever met in my life. I do not still talk to her, nor do I want to, but I am very proud of her and that she's made it where she has. Just wanted to step in and defend her a bit :)

said...

Im not blaming the script, plot, or choreography on anyone but the writers and choreographers. The bad dancing, I blame the people in charge of casting dancers.

Selly

Anonymous said...

the sad part is that this is the image the general public is getting of dance :(

BlueGreenElement said...

The New York Times gave it a great review (so did the New York Post).

For movie reviews I think I'll go with the Times, not Selly. But then I loved CS2.

Here's the Times review:

CENTER STAGE: TURN IT UP

Oxygen, Saturday at 8 p.m. Eastern and Pacific times, 7, Central time.

It’s always fun to mock the Oxygen network, which was created in 1998 with highfalutin airs and big-name backers (Oprah Winfrey was one) and is now bottom-feeding with shows like “The Bad Girls Club” and “Snapped.” But Oxygen does try to wedge in better programming where it can, and Saturday’s “Center Stage: Turn It Up” is a case in point: a sweaty, sexy movie that is centered on ballet dancers, not the lap kind.

It’s basically an updated version of “Flashdance,” mixing hip-hop with classical ballet. Kate Parker (Rachele Brooke Smith) is a talented but self-trained dancer from Detroit who loses a position at New York’s American Ballet Academy to a wealthy patron’s daughter (Suzanne Von Stroh). Kate finds work in a nightclub and tries to make her own way with the help of another dancer, a former hockey player and fellow have-not, Tommy Anderson (Kenny Wormald).

Peter Gallagher, who played the Academy’s artistic director in the first installment, “Center Stage,” in 2000, returns in the same role, as does Ethan Stiefel, a principal dancer with American Ballet Theater, who plays Cooper Nielson, a star of the academy.

Some of the acting is stilted in spots, but the dancing is fantastic. And the leitmotif of class resentment is an apt one for the times.

Anonymous said...

I watched CS 2 not to long ago and i loved it. i didnt think i would like it because i am all about street dancing...not ballet. but kate had a street dancing background to her. so did tommy. plus, tommy is so cute! also, there is a moral to the whole story which is no matter where you are brought up, you can acheive your goals if you just work your hardest and give everything you got. so whoever said this movie sucked you are SO wrong! only a stuck up witch would hate this moviee.

Anonymous said...

Not to long ago i watched CS 2 and i loved it. i didnt think i would like it because i am all about street dancing...not ballet. but kate and tommy both have street dancing in their backgrounds. and not all the movie was ballet. plus, there was a really good moral to this whole movie. give the movie a chance. dont just judge it by what other people say about it. and also, it isnt a waste of time to watch it.
ps. tommy is cute!

said...

^I have to disagree. I'm all for following your dreams, overcoming challenges, and trying your best no matter what the situation. Ballet simply is not a profession/goal/art that falls in to the "If you really you really really believe you can do it, you will succeed even if you have no experience and unrealistic expectations" category. Good training+good technique+passion+hard work+hours and hours of rehearsal and class=a good ballet dancer. Self confidence, hope, and resilience are crucial in the dance world. Having these things does not necessarily mean you will be a successful professional ballet dancer. Having these things and the best of the best training and technique and body doesn't even guarantee a ballet career, much less a great one. CS2 is being completely unrealistic when stating that an untrained self taught ballet dancer can dance professionally in ballet. It does not happen, it will not happen. End of story.

If you disagree with my opinion of this film, that is perfectly fine. Everyone is entitled to their own opinions, but, if you choose to state these opinions as if they are fact and make heinous generalizations and insult readers, commentators, and authors of this blog please either do so without the cover of anonymity (At least a screen name, your first initial, a first name, a nickname, something like this can be used to comment instead of "Anonymous". There is no way of differentiating between anon commentators!) or refrain from doing so at all.

Selly

Anonymous said...

Twyla Tharp not known for ballet? In the Upper Room, Baker's Dozen, Nine Sinatra Songs, Waterbaby Bagatelles? Ballet companies across the country are clamoring to do her work, to have something new set on their company. True, she isn't usually the "traditional" idea of ballet, but from her early work with Joffrey Ballet to her choreography for American Ballet Theatre, New York City Ballet, Miami City Ballet, Pacific Northwest Ballet... she is a big name in the world of ballet choreography

*G

said...

I'm not denying Tharp's awesomeness, but she definitely isn't a classical ballet choreographer.

Selly

Melanie said...

for the record, Tommys accent is definitely not australian, and i know this because no matter how long you visited australia for, i've lived here my whole life and hes no aussie. very cute thoe ;]

im a dancer myself, ive been dancing almost all my life and i do pointe, jazz, tap, hiphop, contemporary and have also done ballroom. while its true that the dancing in this movie is not 100% perfect, its still pretty good. of course its not as good as the original centrestage, nothing ever could be! if people made an entire movie dedicated to ballet nowadays, it wouldnt sell as many tickets, and would cost more to make as they would need to pay for professional ballerinas, so producers just wouldnt do. therefore, the hiphop edge is added.

while i strongly agree that a self taught ballerina would almost never make it into a professional ballet school, that wasnt really the point they were trying to make. they also never said that learning pointe from videos was perfectly safe. majority of the people who would go to see this movie would be dancers or love dancing, as it wasnt advertised at all over here. they would therefore know that it takes more than guts and videos to become an amazing dancer. but i know from experience that it IS possible to learn pointe yourself completely safely, and still be pretty good.

i actually really liked this movie, possibly because i didnt spend the entire time critiquing every word that came out of their mouths, and every step they took. i just sat back and enjoyed it, and when you ignore its few faults its actually a fairly entertaining movie.

sorry if this pisses anyone off, but when i feel strongly bout something i needa voice it, so i felt like i would [:

happy dancing. (L)

Anonymous said...

Honestly i think you people are way more than harsh! No their dancing wasn't absolutely perfect but both the actors of kate and tommy did an AMAZING job both on their dancing and acting skills!! The people who say they don't like this movie are obviously not dancers and must not be fans of dancing in the first place. I do believe this is one of the best dance movies i have ever seen and it is my absolute favorite movie and just can't get enough of it!! =]

said...

Oh, yes, I'm OBVIOUSLY not a dancer, aren't I?

Selly

said...

heyy i also just found your blog today . i really liked center stage .

i liked the film . really .
i didn't think you guys would hate that even criticize it . haha !

i loved the scene where cooper danced with kate .
i think kate's cool CX

actually it's not that bad .
i can't dance the way you said kate was REALLY BAD . so i think the dance wasn't that bad .
if bad acting you're talking about ,
i can agree ,
but if you're talking they don't dance good , i disagree .
bad script ? just blame the director ! haha

i also think cooper had the fakest blonde hair , and a little bit weird . (a little bit gay too : P)
but i think he's okay . he dances well .

so i think center stage 2 is WORTH watching ,
i love those 2 hours i spent to watch them ! tee-hee

Anonymous said...

btw...he named those choreographers because they were contemporary and different...unlike the boring classical ballet composers...duh.

C said...

Kenny Wormald is nothing but AWSOME, he is SO cut! if you didn't like his dancing on the movie look for him on youtube, I wish I could dance like he does and I'm sure you CAN'T dance like he does.

Anonymous said...

watched it last night.. would classify it as feel good movie. i like the dancing but i cant help but compare it with step up. i think they should have made more impact on the finale dance. not sure but dont you think suzanne's character dances more like a ballerina than kate's?

on acting... uhmm... they lack impact in dialogue exchange. and kate's almost always happy or so-so, i hope the movie showed a struggling ballerina. but i like it that suzanne's not a bitch. :)

-Bella

Anonymous said...

AHHHHHHHHH

i just wasted 2 hour of my life!

this movie s terrible!!!!!!!!!

said...

Oh dear me,

I don't pretend to be a professional dancer by any stretch of the imagination, but I have to say the technique in this film is atrocious. Kate can't even point her toes properly, which means her pointe work is hideous. She lacks the flexibility, coordination, and core strength to have been even vaguely contemplated for a place at the most prestigious company in America, as do most of the main characters (aside from Tommy, who at least proved that he could run around the stage like a pro at the end). Kate's acting is appalling, though in her defense the lines are cliche, the plot is cliche, and the characters are cliche. The storyline is so over-used that this film could only have been salvaged by some fantastic dance scenes, not some smart-arse cameraman who thinks that some strobe lights and blurry effects will distract from the fact that all the main character can do is shake her booty.

A waste of time, give me flashdance any day.